A Cameleon shape-shifting between collective installation and its exhibition.

As most people understand and experience it, time is linear; it has a past, present, and future. However, certain philosophical, spiritual, and scientific theories challenge this conventional perspective, suggesting that time may be cyclical or even multi-dimensional.

Artistic journeys often mirror these complexities of time. Artists embark on unique paths, shaped by their past experiences, current perceptions, and future aspirations. The work "Void Time" delves deep into this intricate relationship between time and artistic evolution, probing the foundational moments when artists first recognized their creations as "art."

Interestingly, the first conscious foray into art often sets the tone for an artist's subsequent oeuvre. For some, that debut remains a landmark, unmatched in its vigor and novelty. Others might find their initial explorations a steppingstone, evolving but retaining core themes throughout their careers. Yet, a few might divert drastically, with their beginnings bearing little resemblance to their later works.

The introspective question, "Am I important enough for someone interested in my beginnings?" is universal, transcending artistic realms. At some point, everyone ponders their origins' significance and value. In art, as in life, beginnings hold profound weight, for they encapsulate a creator's raw, unfiltered essence, untouched by external influences or self-imposed restrictions.

The very act of questioning and exploring such themes reaffirms the non-linear nature of personal and artistic journeys, suggesting that while time might be linear, our experiences within it are anything but.

So many times, I heard the question: Am I important enough that someone cares about my origin?

"...am I important enough?" underscores a deep-seated human desire for validation and recognition. In the realm of art, where expression is often intimate and vulnerable, this quest for acknowledgment becomes even more pronounced. Artists, despite their external show of confidence, frequently grapple with self-doubt and seek external validation for their work and worth.

Yet, this critical self-reflection, this ongoing internal dialogue, adds layers of depth and authenticity to their creations. It is a trait common among many profound thinkers and creators. Such introspection and genuine passion often give birth to the most resonant and timeless works of art. I saw this in so many people I cherish and admire.

Imagine art has its own value within itself. This value isn't always quantifiable, nor should it be. By emphasizing the intrinsic worth of art and artists, devoid of exploitative logic, you're nurturing an environment where art can flourish, unburdened by commercial expectations or societal constraints.

The decision to protect artists and their creations from the pervasive demands of commercialization speaks volumes, especially in this era dominated by rapid consumerism and profit motives, which was my original reason for starting the Idling Gallery.

A noncommercial pop-up gallery shows up where it's needed. No one will save us if we do not save ourselves and create our own healthy environment. Such an environment can only be temporary in this world, but it not only offers artists a sanctuary for unhindered expression but also safeguards their works from the influence of external pressures in this moment.